Moving from Boston to New York City was simple. All I needed was just one small suitcase, my camera, photography portfolio, and associated
darkroom vitals. Usually, locating an inexpensive apartment in Manhattan was challenging. However, my friend Harris Barron knew people in the city.
Harris was my friend and mentor … but that’s another story.
Four Arms
Penny Shaw, Jim Tyler
Calvary Episcopal Church, NYC, September 1, 1967
image: Demian
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Following Harris’ advice, I contacted movie maker Jack Hirschfeld. His wife, Beverly, was a dancer who was choreographing a show … but that’s another story. She knew dancers Paul Magloff, John (never recorded his last name), and Jim Tyler.
The guys needed an apartment mate in their one-bedroom flat. The no-doors “bedroom” was assigned to me. There was a hallway, with a toilet closet at the end. There also was one, large room, which, besides the cots for the guys, contained a modest refrigerator, gas stove, kitchen sink, and right next to it, a bath tub. The tub was covered by a piece of plywood, hinged to the wall. When flipped up, one could bathe. When flipped down, it was used for food preparation.
The roughing-it atmosphere felt like when I worked at children’s summer camps. Except, in camp, the showers were outdoors, and not in the mess hall.
Soon after I moved in, Jim choreographed a dance show, in which Paul performed. Jim arranged for a free performance at the Calvary Episcopal Church on 277 Park Ave. S., near Gramercy Park, on August 31, 1967. The Calvary Church parish, founded in 1832, included the “Renwick Gem” Schoolhouse, which was designed by James Renwick Jr. in 1867.
The Gem was a small building north of the church. It had a large interior space, about 27 feet between the columns, which were designed to hold up the heavy slate roof, without the use of exterior buttresses. While originally built as a theater, after a short time, it became the Church’s Sunday School. By the time of Jim’s dance concert, the Gem had become a gym, and used for shows, once again.
Here is the view from the back door of the Calvary Church’s “Renwick Gem.”
Alley View
Calvary Church’s “Renwick Gem”
NYC, August 29, 1967
image: Demian
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On August 29, 1967, I took photos of Jim Tyler, Bonnie Jo Bainbridge, Paul Magloff, Beverly Brown, and Penny Shaw, while they rehearse Jim’s dance concert. Jim, Bonnie and Penny had been students of Erick Hawkins, who was known for a fluid, seemingly effortless style of movement.
Jump
Jim Tyler, Bonnie Jo Bainbridge
Calvary Church, NYC, August 29, 1967
image: Demian
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Connect
Penny Shaw, Jim Tyler
Calvary Church, NYC, September 1, 1967
image: Demian
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Mimic 2
Jim Tyler, Paul Magloff
Calvary Church, NYC, September 1, 1967
image: Demian
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From my diary – August 31, 1967
What a fantastic day.
In the morning, I assist Jim and crew to mount their show. Like all other productions I’ve worked on, most of the production details were assembled at the last minute.
What’s different in this productions, is the fact that this dance team is highly talented, skillful, and experienced. They are terrific to work with, and it’s fascinating to observe their skillful rehearsing. Along with the very good choreography, everyone had totally professional attitudes.
I’m struck dumb by the personality and beauty of Bonnie.
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Reflecting
Bonnie Jo Bainbridge
Calvary Church, NYC, September 1, 1967
image: Demian
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More Diary, August 31, 1967
In the evening, just before the show, this guy shows up, and says to me: “I’m Donald McD_______ (he mumbled), from the Times. Wasn’t there a chair reserved for me?”
“Probably not. Take this one.”
I offered him the seat reserved for Erick Hawkins, who showed up later.
During the show, I assisted with lights, and for the last three dances, operated lights solo.
I talked to Donald after the show. He didn’t say much, but had an amazed expression on his face. He didn’t believe it when I told him the company had painted the gym just for this one show.
Because more than 160 people came for the show, and couldn’t fit in the gym/theater, a second show was offered, right after the first.
While the entire evening was a fantastic success, the second performance was on an even higher level, and just on the other side of unbelievable.
After the last show, Bonnie was asked by an audience member for dance lessons.
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X
Paul Magloff, Bonnie Jo Bainbridge
Calvary Church, NYC, September 1, 1967
image: Demian
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Doorway to the Alley
Jim Tyler, Beverly Brown
Calvary Church, NYC, August, 29, 1967
image: Demian
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Takeoff
Jim Tyler
Calvary Church, NYC, September 1, 1967
image: Demian
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My Diary – September 1, 1967
Back in the Church gym for another photo session. This time, lasting five hours. Seeing the movements at last night’s show allowed me to make more informed, and therefore more meaningful, images.
Someone brought in a rave review of last night’s dance performance, written by one Don McDonagh, right there, in the New York Times.
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Group
Beverly Brown, Paul Magloff, Bonnie Jo Bainbridge, Jim Tyler
Calvary Church, NYC, September 1, 1967
image: Demian
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3-Way
Bonnie Jo Bainbridge, Beverly Brown, Paul Magloff
Calvary Church, NYC, September 1, 1967
image: Demian
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Balance
Jim Tyler, Penny Shaw
Calvary Church, NYC, September 1, 1967
image: Demian
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When Jim Tyler left the apartment in September 1967, he moved to Amsterdam, Holland, to work with Pauline de Groot. Both of them had studied with Erick Hawkins. Later, Bonnie, also a Hawkins alumni, would join them for a time.
In the winter of 1968, Bonnie Jo Bainbridge performed in my short movie “LEGGO,” a “pixilation” animation, in which she magically glides through a waterfront cityscape without moving her legs.
“Demian’s Film & Video Projects”
“LEGGO”
Bonnie Jo Bainbridge in “Leggo”
NYC 1968
image: Demian
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These Days
Bonnie Bainbridge Cohen
Bonnie runs the organization called:
Body-Mind Centering
bodymindcentering.com
Her focus is on an integrated and embodied approach to movement, the body, and consciousness. She has authored books, which include “Sensing, Feeling, and Action,” as well as many videos, including “Embodying Cellular Consciousness Through Touch and Movement.”
Pauline de Groot
Pauline continues to teach in Amsterdam, Holland.
Penny Shaw
Penny teaches Alexander Technique, and Directs an activity program for people with disabilities at Hunter College.
Donald McDonagh (February 6, 1932 - December 10, 2019)
Donald wrote dance reviews at the New York Times from 1967 to 1978. He authored critical biographies of George Balanchine, and Martha Graham, as well as “The Complete Guide to Modern Dance.”
Erick Hawkins (April 23, 1909 - November 23, 1994)
Erick was an American modern-dance choreographer and dancer. Following his death, his company continued teaching his techniques, and repertory.
Holding Still
Bonnie Jo Bainbridge
Calvary Church, NYC, Sept. 1, 1967
image: Demian
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Except for the screen capture from “LEGGO,” which was shot on a 16mm Bell and Howell movie camera, all images were captured with a 35mm Yashica range-finder camera, using black and white Tri-X film.
In 2020, the negatives were scanned using an Epson Perfection V500 Photo, captured in VueScan, and retouch using PhotoShop Elements.
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